MORPHOLOGICAL STRUCTURE IN KIHAYA
The
term morphology is generally
attributed to the Germany attributed to the German poet, novelist, playwright,
and philosopher Johann Wolfgang von Goethe (1749 – 1832), who coined it early
in the nineteenth century in a biological context. Its etymology is Greek: Morph – means “shape, form”, and morphology is the study of form or
forms. In linguistics that deals with words, their internal structure, and how
they are formed. (Anoroff & Fudeman, 2011). According to Lieber (2009),
morphology is the study of word formation, including the ways new words are
coined in the languages of the world, and the way forms of words are varied
depending on how they’re used in sentences.
Morphemes
are the4 minimal meaningful units that are used to form words. Some of the
morphemes in Kihaya can stand alone as words: Ngemu “banana tree”, mae
“mother”, /“toe”, tata “father”, ishoke “hair”. These are called free
morphemes. The morphemes that cannot stand alone are called bound morphemes.
For example Tu-, -la-, -gend- and –a in “Tulagenda” meaning “We shall go”.
Bound morphemes come in different varieties. Those in above are prefixes Tu-,
la- and suffixes –a; the former are bound morphemes that come before the base
of the word, and the latter bound morphemes that come after the base. Together,
Prefixes and suffixes can be grouped together as affixes. Lieber (2009). New
lexemes that are formed with prefixes and suffixes on a base are often referred
to as derived words, and the process by which they are formed as derivation. The base is the semantic
core of the word to which the prefixes and suffixes attach. It can also be in
bound – base category Lieber (2009) pg: 33. For example, genda- “go” is the
base of olugendo “jouney”, -l- the bound base of “eat” is the base of omulyo
“meal”.
Number of morphemes involved in
Bantu Verb templates
The
Bantu very template described in many studies suggests that there are about 8 t
15 morpheme slots, which may be represented as follows:
Slot
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
Meaning
|
Pre- initial
|
Initial
|
Post inial
|
Tense marker
|
OM
|
Verb
|
Base
|
Final
|
Post final
|
Morpheme
|
NEG
|
SM
|
NEG
|
Tense
|
Objective marker
|
Root
|
Verb ext
|
Mood aspect NEG
|
|
Table
1: Bantu verb template (Nurse & Philipson 2003).
Slop
|
Meaning
|
Morpheme
|
Word
formed
|
Gloss
|
0
|
Verb root
|
U root
|
Gend – a
|
Go
|
1
|
Verb extensions (VEXT)
|
Ca – causative (es)
Apl – applicative (er)
Ree – reciprocal (an)
Pas – passive (erer)
Stat – stative (ek)
Rev- reversive
|
Gend – es –a
Gend – er- a
Gend – and – a
Reeb- w- a
Gend – erer- a
Gend – ek- a
Teck – uur –
Also possible:
Gen –es – ibw- a
Gend-an-is-aGend-an-is-ibw-a
|
Make to go
Go for
Go with
Be seen
Go specifically for
Remove
(one stack)
|
2
|
Verb and (VE)
|
Ind – indicative (A)
Subj – subjunctive (e)
Past – past tense (ire)
|
y-aa-gend-a
n-gend-e
n-genz-ire
|
He has gone
May I go
I went
|
3
|
Post final
|
Pfd1 – adverbial
(ho, yo, mu)
Pf2 – mitigator (ga)
|
Gen-a-yo
Ti-n-ka-gend-a-ga
|
Go there
I have never gone
|
4
|
Aspect maker
|
Asp – reflective (e)
|
Ku-gend-a
|
to see oneself
|
5
|
Object pronouns
|
Op1 – ob pronouns (18)
Op2 – ob pronouns (18)
|
Ba-gend-e
Mu-mu-n-reeb-er-e
|
Let them go
You see him for me
|
6
|
Tense / aspect markers
|
Inf – infinitive
Hab – habitual
Pf – perfective (aa)
Ff – far future
(rea / rya)
Rp – remote past (ka)
|
Ku-ta-gend-a
n-gend-a
n-ka-gend-a
n-da-gend-a
n-ka-gend-a
|
To go
I go (every day)
I have gone
I will go (far future)
Went (last year)
|
7
|
Negation marker
|
Ng2 – negative (ta)
|
Ku-ta-gend-a
|
Not to go
|
8
|
Subject maker
|
Sp-sb. Pronouns (18)
|
n-aa-gend-a
tw-a-gend-a
|
I have gone
We have gone
|
9
|
Aspect marker
|
Asp – progressive (ni)
|
Ni-ba-gend-a
|
They are going (now)
|
10
|
Negation marker
|
Neg 2 – negative 1(ti)
|
T-baa-gend-a
|
They have not gone
|
Word structure
When
you divide up a complex word into morphemes, as in (i), it’s easay to get the impression that words
are put together like the beads that make up a necklace – one after the other
in a line.
(i)
Bu+shom+el+o = bushomelo. (Place for
reading)
But
morphologists believe that words are more like onions than like necklaces:
Onions are make up to layers from innermost to outermost. Consider a word like
unhappiness. We can bread this down into its component morphemes bu-shom-el-o
but given what we learned above about the properties of the prefix bu- and the
suffisxed –el, -o, and we know something more about the way in which this word
is constructed beyond just its constituent parts. We know that bu- (place
indicative) must first go on the base shomelo.
Kihaya
has the typical characteristics of the template morphology outlined by Spencer.
As noted by Spencer (1991), template morphology poses a computational challenge
because t represents a morphological system in which a verb stem or root
consists of one or more obligatory affix (es) as well as a set of optional
affix (es). Such combinations of morphemes make automatic analysis difficult
because it is first necessary to identify the affixes attached to the root
required to compose specific verb forms.
Adding
to the number of morphemes involved ,
subject and object pronominal markers display agreement with the classes of
the nouns to which they refer. If the
subject is not otherwise indicated, they serve as subject and object pronouns.
These are therefore as many as 18 subjects and object pronoun markers in each
case. In addition, R-R are type 3 languages according to the classification
provided by Maho (2007). Which means that they may have two or more objects in
a given construction. Specific evidence from Kihaya confirms that these
languages can have a double object construction, which means that a verb can
have a marker for both direct and indirect objects in the same construction. An
example in this case is mu-mu-n-kwat-ire
(you grab/hold him for me), where m-n
indicates both direct objects representing him
and me. This will add to the
number of morphemes, increasing the challenge that the morphological multitude
poses.
MORPHOLOGICAL STRUCTURE IN KIHAYA
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April 30, 2017
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